As the new Publisher of BG: Bridal GuidE, what excites you most about taking on this role, and how do you envision shaping the magazine’s future in a rapidly evolving bridal landscape?
I may be new as Publisher, but I’m definitely not new to Bridal Guide! Over the past few years, I’ve had great success with two legacy brands in the health & wellness and home design spaces—Naturally, Danny Seo and RUE. Our model is simple: invest in high-quality content, create meaningful marketing campaigns for our brand partners, and build earned media partnerships with TV shows like Today and The Drew Barrymore Show. When the opportunity came along to bring some of that magic to Bridal Guide, I jumped.
The vision goes beyond a refreshed name and design. We’re here to celebrate the industry itself and highlight the leaders who create the magic behind the scenes: jewelers, designers, event planners, florists, chefs, hair and makeup artists, and more. We also want to empower our readers by helping them understand the what and why behind their big day. Why do certain things cost what they do? When’s the best time to travel to a destination? What do the world’s top planners believe is worth the investment—and what’s not?
And we’re taking a modern approach. For example, I just commissioned a feature about cosmetic surgery that maps out an ideal beauty timeline—from two years before the wedding all the way to the night before. Because yes, let’s be honest—we all get Botox! Just do it right!
You’re known for your unique creative lens—how will your personal design and storytelling philosophy influence the new editorial direction of BG:Bridal Guide?
I’ve spent over two decades in legacy media, producing shoots and features that span global travel, celebrity fashion, and home makeovers. That experience, combined with wearing the Publisher hat, lets me ensure the editorial product is not only beautiful, fresh, and essential—but also supports our advertisers in meaningful ways.
We’re making big upgrades: nearly doubling the page count, improving paper quality, bringing in fine art photographers and videographers, and working with some of my favorite writers from Vogue, GOOP, and The Wall Street Journal. I like to say BG:Bridal Guide is now part WWD, part Condé Nast Traveler, and a scoop of Bridal Guide.
The redesign of a legacy publication is a bold move. What are the key elements you wanted to introduce or modernize in BG:Bridal Guide’s look and feel?
Bold, yes—but absolutely necessary. I’ve been using the word reportage a lot lately. I want to capture special moments through the lens of incredibly talented photographers. Instead of a model staring straight at the camera, imagine images that feel spontaneous, slightly blurred, and real—equally stunning in full color or black-and-white.
We’re also creating space to properly tell stories that haven’t been told but deserve to be. Profiles of fascinating talents, behind-the-scenes looks at major design houses, step-by-step explorations of how those outrageous floral arrangements come together. I’ll never forget visiting a rose farm on the African equator, protected by barbed wire, where they were growing chocolate-scented roses—flowers destined for Kate Middleton’s wedding. That’s the kind of storytelling that excites me.